This
feature, however, had a tapered backside and did not have any other
distinguishing features.
At
the
northeast end of the cairn in Rochester, and separate from the rest of
the
construction, is what I and others refer to as a Manitou stone, which
in this
case is a thin slab of stone with a rounded top (Fig. 5).
Manitou stones either can
be in the shape of
an early American gravestone, with head and shoulders, or they can have
a
simple arched or triangular-shaped top; in any event, all examples are
quite
thin.
Similarly
shaped stones have been
found alongside large
cairns
at
other sites, such as at Parker Woodland in
Rhode
Island
(Fig. 6), and also at least three other
cairns
at the Smith site, one of which is fairly small but with a Manitou
stone
leaning against it (Fig. 7).
We
do not
know the significance of these stones, but they seem to emphasize the
importance of the stone mound or cairn against which they are placed.

Fig 5 |

Fig 6 |

Fig 7
|
It is one thing to
claim that an unusual looking stone feature is American Indian, simply
because of its size, shape, construction, and how it relates to other
stone structures nearby, and another to prove it. There is no
direct way to date stone cairns to the accuracy that we need, but there
are ways to use evidence to formulate sound arguments. For
example, we know more about the Smith farm historically than we do
about most sites with cairns. Before Smith bought the 250-acre
property in 1847, it had been previously owned by at least five
different individuals, beginning with a Peletiah Morgan in 1780, the
original proprietor. With no access to it during the early years
of its ownership, the property passed from owner to owner with its
value fixed not much above $50. In 1812 it sold for $62. A
year later, the property was bought by Alexander Norton for $184,
triple the amount of the year before. What happened? I
believe the sharp increase in value can be explained by the
construction of a cart path from Brandon Gap Road to the property
sometime in 1812, and perhaps the clearing of some land. This
cart path shows on early 20th century maps of the area as a dotted line
that ascends the ridge to the farm site. There was no other road
to the farm, and it remained isolated from others in the area.
Not until the 1930s, when the Civilian Conservation Corps cut a road
through the forest did the old farmstead come into closer contact with
contemporary society, but by that time the farm had long been
abandoned. After Norton purchased the land in 1813, it was sold
three more times until Chester Smith assumed ownership in 1847.
In the book Rochester, Vermont, Its History, published in 1975, the
unnamed authors wrote that only four acres had been cleared when Smith
purchased the land.
Letters that Chester wrote to his
fiancée, Sarah, between 1848 and 1850, describe some of the
activities in those early years at the farm. In one letter, from
February 1848, he describes felling 300 trees that were then hauled to
a mill on Brandon Gap Road to be sawn into planks for the construction
of a house and barn, and clearing 30 acres for mowing. Remember
that only four acres had been cleared when Smith moved to the property
in 1847. Add to this the 30 acres in 1848 and we still have a
total of 34 acres cleared, much less than the 50+ acres on which the
cairns are found. This evidence implies that some of the cairns,
at least, must have been pre-existing before the land was first sold in
1780. Add to this information derived from the Smith daybooks
from the 1840s to the 1880s, in which there is absolutely no mention of
constructing stonework of any kind, and we have a pretty clear picture
that neither Smith nor any of the previous owners of the property
constructed the stonework.
Not much attention has been
paid to the planning and construction of a large cairn, such as ones
found at the Rochester site. Several years ago I chose a large
one at the Smith site to determine how many stones comprised it.
The cairn measured something like 21.5 feet long, 8’ high on the
downhill side and 12’ wide (Fig. 8).

Fig 8
|
I measured the sizes of
different stones in the façade, and gave this figure to a friend
of mine in Wisconsin, Herman Bender. Based on figures I provided,
he estimated that there were something like 10,000 stones of various
sizes in the cairn, which altogether weighed 80 tons. Photos of
the cairn and the stones, plus the figures from Herman, were sent to
Nick Aiken, a professional dyker or wall builder from Scotland, in
October 2003. Here is what he wrote about constructing a cairn of
this size: “The stones must have been brought to the
site. There are too many in each cairn to be found in the
immediate area…If I were building such a structure I would spend
the winter hauling stone over the frozen ground, on a sledge. It
would take some time to get 80 tons of rock to the site…April is
‘mud season’ in Vermont…I believe it is usually May
before the ground is stable and it is easy to move around without
getting stuck in the mud…The big rocks at the foot of the cairn
must have needed two men to shift them. It would not be
impossible for one man to do the job but he would have been ruined in a
short time…I can shift about 5 tons of stone in an easy
day. I think I could build number 13 in about three weeks but the
hauling of rock might take all winter. One man hauling to the
site would take a soul-destroying amount of time. The rock may
have been hauled to the site as it was required, large rocks first then
the smaller stuff. I would move rock from near the top of the
slope down to a chosen spot, thus reducing the need to haul
uphill.”
Besides the work involved in building a large cairn, we also need
to look at the kind of stones used in its construction. With
respect to the crescent cairn, in the very front center of the cairn,
and placed on top, are two large slabs of quartz (Fig. 9). An
enlarged view shows that each slab is about 5”-6” thick and cleaves horizontally (Fig. 10).

Fig 9 |

Fig 10 |
About 150 feet to the southwest is a large quartz vein or seam (Fig.
11), at the downhill end of which a spring emerges. The physical
characteristics of the quartz, with thick, horizontal bedding planes,
are identical to the slabs on the cairn (Fig. 12), and the latter
undoubtedly came from this location. The fact that a spring
emerges from one end of he quartz vein makes this particular site
powerful and sacred, for springs were considered portals to the
underworld by the Indians, where animal spirits emerged and went.
This sacred water also imparted to the quartz extra potency, and we can
imagine that the quartz from this location was chosen for this reason.

Fig 11 |

Fig 12 |
Although some may say that early
Vermont farmers used quartz as aesthetic accents to stone mounds, the
identification of quartz with the American Indian makes a much more
convincing case. Milky or clear quartz crystals were sought by
the Indians because of their purity and symbolic connection with the
sun; to some, quartz was considered solid light or even the sun’s
semen. David Whitley, a rock art expert, wrote that quartz
“crystals were believed inhabited by spirits and thereby
contained supernatural power that could be received and used for
various purposes.” Also, quartz crystals were considered
‘living’ or ‘live rock, which made them powerful to
Indian shamans, who would often carry the crystals with them on vision
quests, breaking them up so that the supernatural power in the stone
would enter their bodies and enhance their potency. But quartz
also had another unusual physical characteristic in that if one rubbed
two quartz pieces together, they would emit a photon light called
triboluminescence. Quartzite will also do this, but not to the
extent that pure quartz will. The Indians certainly knew of this,
and chose quartz for this reason.
If we look at the use of quartz with this
in mind, the large, round, prominently placed quartz cobble in the
center of a large cairn in Stockbridge, Vermont, ten miles south of
Rochester (Fig. 13), can be viewed as a culturally induced accent, and
hardly one that a colonial farmer would have made. The
quartz cobble faces north and is not an accidental placement,
especially when one considers how all the smaller flat rocks have been
piled around it to keep it in place. Similarly, forty miles to
the southwest of Stockbridge in South Newfane is another cairn
location, where again we find another large platform cairn with a
quartz cobble prominently placed in the center, also facing north (Fig.
14).

Fg 13 |

Fig 14 |
Interestingly, this cairn has a short stone extension some 6 feet long
at one corner, as does the cairn just mentioned at Stockbridge.
And going back to the Oley Hills site in Pennsylvania where this
research began ten years ago, Platform B also has a ‘tail’
at the northwest corner (see
http://www.neara.org/Muller/stonerows.htm
and Figure 1). At the same site in Newfane is another cairn, this
one 24.6 feet long and not as high, but again with a piece of quartz
placed in the very center (Fig. 15).

Fig 15
|
As we have already seen, quartz transmits energy, and it is this
unusual and important characteristic that can be used to explain its
function in an unusual split boulder arrangement found in a mountain
gap just outside South Pomfret, Vermont. Here, a large boulder
split down the middle, and over the centuries gradually spread
apart. A semicircle of stones was then arranged at one end of the
split boulders, connecting the two together (Fig. 16). All of the
stones comprising this semicircle, except for one, are probably gneiss,
and that one exception is quartz, which was placed adjacent to the left
boulder (Fig. 17). I view this construction as something akin to
an electric cord, in which energy is transmitted from stone to stone
along the semicircle, but it is the quartz that imparts much more
energy or juice, similar to plugging a cord into a light socket.

Fig 16 |

Fig 17 |
We have not yet reached a stage where we can say what the purpose of
the cairns served. Their construction was certainly labor
intensive, and many of them can be classed as monumental. The
crescent cairn in Rochester is one of the most unusual, and certainly
one of the best preserved. The location of the quartz slabs in
the center must certainly have had something to do with the fact that
they point in the direction of the rising sun. Furthermore, it is
an impressive construction, not only because of its shape and size, but
also because of its workmanship and artistic qualities.
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Copyright © 2007 by Norman E. Muller